Meet RAHH | Music Artist

We had the good fortune of connecting with RAHH and we’ve shared our conversation below.

Hi RAHH, how has your perspective on work-life balance evolved over time?
A work-life balance is honestly something I’m consciously working on every day.
When your passion and source of connection is also what you do for a living, the lines between work and life are so blurred, it’s a constant battle to try to define them. The balance has changed dramatically over time.
In my twenties I didn’t know how to stop. I was everywhere all at once—multitasking every second, taking every whisper of an opportunity, scared of missing something.

I started as a child actress and worked fairly consistently for 12 years but it was constant hustle. When you weren’t on a job you were scrambling for flexible temp work. You’d move country at a moment’s notice or miss major life events for a role. There was no balance. It’s not until you step back that you realise how unhealthy that intensity can be.

While filming full-time in Manchester, I applied for a scholarship at BIMM London (music university). I didn’t expect to win, but I did. I wanted it badly, so with my now-manager’s help, I made it work but it meant commuting constantly—6am call times, full days on set, then racing back to London for classes. I didn’t sleep for a good year!

Now in my thirties, I schedule days off in the calendar and try to protect at least half of the weekend. I don’t always manage it, but I’m getting there.

Can you open up a bit about your work and career? We’re big fans and we’d love for our community to learn more about your work.
I think my voice is what sets me apart. It’s the thing that really connects with people, moves them, makes them feel something.
I’ve had a pretty eclectic career in music. I grew up listening to the golden era of ’90s and ’00s R&B — Mariah Carey, Whitney, Lauryn Hill, TLC, Aaliyah — soaking up everything I could. I spent years writing and recording pop, which led to a record deal in LA. that’s where I met Dave Stewart from Eurythmics. We hit it off in a session and he ended up inviting me to sing with him — I toured and performed with him for over a decade.
At the same time, I was doing backing vocals for Liam Gallagher on world tours for five years, all while writing my own music, which has always been grounded in soul. That mix of influences and vocal experiences, plus the commitment to honing my craft, has given me the freedom to trust my voice and let it lead. It’s what helps me access something real when I sing — I think people can feel that.

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What are you most proud or excited about right now?

Honestly, I’m proud that I’m starting to achieve the things I dreamed of years ago — things I couldn’t figure out how to reach at the time. I remember searching “RAHH” when I’d just started the project and nothing came up. I thought, how the hell am I going to change that? Now, RAHH is in demand. Not long ago I couldn’t get in certain rooms to work with the people I wanted to — now they’re coming to me. It’s a bit mad, really. To now be in a position where we have over 16 million streams on This Rhythm, a tune I collaborated on with Prospa which was also playlisted on Radio 1 for six weeks this year — it’s surreal.

That comes with pressure, of course, which I’m learning to navigate. But what I’m really proud of is that I’m a woman of colour, with a female manager, making noise in a male-dominated industry — and currently, we’re doing it without a record label.
The truth is, there’s still a lot of systemic racism and sexism in music. It might look fair on the surface, but there’s a constant undercurrent — subtle bias, unconscious ignorance that shows up everywhere: in sessions, in meetings, at the pub after, in negotiations. It can wear you down. But we keep going, because taking up space and pushing things forward really matters.
I can honestly say it wasn’t easy to get here — it’s a real graft. If you’re committed, roll your sleeves up and get stuck in because the rewards can be big and beautiful, but if there’s any doubt about your dedication and drive — get out of the road.

It all began with a manager who scouted me while I was singing in my hometown. He led me to a major label who offered me a record deal and when it fell through, it broke my heart. I used whatever contacts I had to get some demos I’d written produced. Eventually, Ken Caillat, producer of Fleetwood Mac’s Rumours, got hold of them and offered me a deal. After a while, that fell through too. So, I picked myself up and reinvented myself again.

I managed to get a showcase at The Great Escape Festival in Brighton — a huge, industry-heavy event for emerging artists. That went really well; there was a buzz about my performance, and it gave me a new team and direction. I started doing a lot of writing sessions, recording, performing… until that fell through too!

I focused on releasing an EP independently, which was very difficult and a real crash course in how to put a project out into the world. Then Covid hit. Feeling lost, penniless, and aimless, I started toplining — writing lyrics and melody over producers’ tracks. That’s what kicked off this chapter. My voice and songs were being put in front of labels all the time through the producer-artists I was working with, which meant there was new interest in my songwriting.

I signed a publishing deal with Defected — a house music pioneer — and that gave me the space to focus, collaborate, and explore. Now all these songs I’ve written are finally being released, and it’s genuinely rewarding.

I got here through persistence, dedication — and I hope, from being a pleasure to work with. I really value professionalism. I think when you’ve worked in many areas of the industry, you develop a respect for everyone who makes the music or the show happen. That’s important. When it’s not there, you can feel the energy is off, and people pick up on that.
I don’t want to mess with any of the spiritual forces that contribute to the magic of music. So for me: good karma, politeness, connection, punctuality — they all matter.

I overcome challenges by talking to people I trust and who can relate, and by taking time and space when my gut tells me I need it. I do hot yoga about four times a week — it keeps my head straight and connected to what my body’s feeling, so I try to listen.

One of the biggest lessons I’ve learned is that balance is key. When things feel too intense, I step back and refuel creatively — books, art, nature, all that good stuff. We can’t just drain ourselves — we need to replenish.

I have just released a summer anthem called Sunshine with D.O.D and I have an another upcoming collaboration with Prospa and Josh Baker to look out for but what I really want the world to know is that there’s plenty more to come and I haven’t even given you what I’m really here to do yet.
Behind the scenes I’m making music that I feel deeply connected to. My goal has always been to move people, to snap them out of whatever numb, scrolly autopilot they’re stuck in. Whether it’s through a lyric, a vocal, or a soundscape, I want my music to land in a place that feels honest — where you actually feel it.

Let’s say your best friend was visiting the area and you wanted to show them the best time ever. Where would you take them? Give us a little itinerary – say it was a week long trip, where would you eat, drink, visit, hang out, etc.
If my best mate was visiting, I’d want to give them the full East London experience. I’ve lived in lots of different corners of London, but I didn’t really feel at home until I moved East. We’d start with a coffee at Tin on Kingsland Road — it’s got that rare mix of great coffee, good chat, and no pretension. A proper little haven in a sea of shiny, gentrified spots.
From there, we’d stroll through London Fields and wander down Broadway Market, dipping into the shops and stopping at Donlon Books for a nosey. Then over to Hackney City Farm to see the animals (kind of crazy in the middle of the city), before heading toward Columbia Road to check out boutiques and record shops. We’d definitely come back on Sunday for Columbia Road Flower Market — one of my favourite things to do. The street’s packed with flowers, East Londoners shouting offers, music floating through the air, pastries, oysters, Bloody Marys— ideal after a night out.
Speaking of which, our Saturday night would probably start with cocktails at Three Sheets (some of the best around), then onto MU for Japanese small plates and live jazz, and finally Brilliant Corners for a proper dance to whatever wicked DJ is on. Or maybe Night Tales in Hackney if we’re after a warehouse party vibe. But honestly, we’d probably just end up back at mine, on the plant-filled terrace with candles lit, and music playing whatever we’re in the mood for.
The next day, I’d make us a banging brunch — genuinely, it’s better than most cafés I’ve been to (smug face). Then maybe yoga and a sauna, lunch at the Ethiopian spot in Spitalfields Market, a wander through Shoreditch to check out the vintage shops, street art and stalls, and dinner at Smoking Goat — dim lighting, buzzing atmosphere, and incredible Asian fusion small plates. It’s a winner.
We’d definitely hop on some electric Lime bikes at some point and ride through Green Park, past Buckingham Palace, and along the river just for the fun of it. Maybe swing by the Portrait Gallery or the V&A. I might take them to my mate’s studio too — it’s this old converted ballroom above a shut-down pub. Plants everywhere, great music and always something creative going on.
We’d have to hit Soho on a summer night — it’s hectic, but the atmosphere is unreal when the sun’s out. Everyone spills from the pubs into those crooked backstreets, it feels like a little festival. Bubala is one of my favourite restaurants in London— vegetarian and vegan, Middle Eastern-inspired, and absolutely delicious. Then we’d end the night at Screen on the Green cinema in Angel, which is honestly one of my best places in the world. We’d get an old fashioned, order flatbreads and hummus, get cosy and watch something brilliant.

The Shoutout series is all about recognizing that our success and where we are in life is at least somewhat thanks to the efforts, support, mentorship, love and encouragement of others. So is there someone that you want to dedicate your shoutout to?
My manager and close friend, Michelle Humphreys

I’ve known Michelle since the very beginning of my journey as a music artist.

No matter where I’ve been along the ride, she’s been there with unwavering support and huge belief and passion for my artist project.

Michelle will always help people who need it and ask for nothing in return.
She was there when no one was listening or watching, so to experience these wins with her now is really special.

Michelle is one of the hardest-working people I know and is a female powerhouse in this industry.
We need many, many more like her.

Website: https://iamrahh.com

Instagram: @iam_rahh

Facebook: https://www.facebook.com/iamrahhmusic

Youtube: https://www.youtube.com/c/RAHHmusic

Other: TIK TOK https://www.tiktok.com/@iam_rahh
SPOTIFY https://open.spotify.com/artist/1WR2sls6n0N1usqywvysnX

Image Credits
Please see photographer credits on photo file name so there are not mixed up.

Jamie Noise
JC Verona