Meet Remi Dessinges | Head of CG, Art Director and Designer

We had the good fortune of connecting with Remi Dessinges and we’ve shared our conversation below.

Hi Remi, what led you to pursuing a creative path professionally?
Creating has always been very important to me. As a child, I was driven to build my own worlds and tell original stories, spent countless hours building worlds and crafting stories with Legos or writing stories. This innate desire to create followed me into my teenage years in the 90s, where I found myself drawn to my dad’s VHS camera, and later, to making digital art on my first PC.

What pushed me to pursue this as a career was the unique satisfaction I got from bringing ideas to life. Even when I was teaching myself through countless hours of trial and error – with no internet resources or mentors to guide me – the process never felt like work. I was different from my friends in this way, spending hours experimenting with digital tools while others were doing more conventional activities, but this difference felt right.

The transition from hobby to career happened organically. As my skills developed, I started creating logos and websites professionally. But it was when I discovered animation that everything clicked – the ability to bring static images to life and tell stories through movement connected directly back to those childhood days of making videos and playing with Legos. Finding a prestigious 3D animation school near my home in the south of France felt like confirmation that I was on the right path.
I pursued this career because creation isn’t just something I do – it’s fundamental to who I am.

Even today, after years in the industry, the thrill of bringing something new into existence, whether it’s a single image or a complex animation, still drives me forward.

Can you open up a bit about your work and career? We’re big fans and we’d love for our community to learn more about your work.
Getting where I am now was a very natural process. I think I just worked hard when it was needed but I was lucky to see that as a fun thing to do. I just spent countless hours learning art and design, reproducing visual, creating new ones, experimenting with new tools, new softwares

The learning curve in 3D was incredibly steep, especially during my time at Supinfocom. We were essentially teaching ourselves, spending countless nights mastering software and techniques. Everything was manual then – from hand-painting textures to figuring out global illumination. But this challenging environment, surrounded by talented peers pushing each other to improve, laid the foundation for my career.

After graduating, I moved to London in 2008, working with prestigious studios like The Mill, Time Based Arts, and Electric Theater. Unlike many artists who specialize, I chose to remain versatile, learning every aspect of the 3D pipeline. This approach wasn’t always easy but gave me a comprehensive understanding that serves me well today.

In 2015, I moved to Los Angeles with Electric Theatre Collective before joining ManvsMachine LA in 2018 as Head of CG. Throughout this journey, I’ve learned that staying curious is essential in our rapidly evolving industry, and being honest about what’s feasible is more valuable than saying yes to everything.
What I want people to know about me and my work is that I’m driven by the collaborative nature of our industry. At ManvsMachine, we’re not just executing client briefs – we’re constantly experimenting, pushing boundaries, and finding new ways to create amazing visuals

If you had a friend visiting you, what are some of the local spots you’d want to take them around to?
Even after 8 years in LA, I’m still amazed by how many hidden gems this city has. If a friend visits, I’ve got my go-to spots that really show off what makes LA special. For surfing, we’d hit up El Porto or Nicholas Canyon – both great spots whether you’re just starting out or looking for some decent waves.
When hunger strikes, there’s this awesome spot called Kiff Kafe on Pico that has great french food and amazing pastries. For that classic LA moment, nothing beats a sunset walk at Kenter Canyon where you can enjoy a beautiful view of the city from a swing under an oak tree. And for nightlife, I love taking friends to Old Man Bar or Johnny’s Pastrami in West Adams.
On weekends, I’m all about getting into nature. The Dawn Mine trail in Altadena is this incredible hike that most tourists never see. And if we’re feeling adventurous, camping at Mt Pacifico is a must – you get these amazing views that make you forget you’re just outside one of the biggest cities in the world.

Who else deserves some credit and recognition?
There are so many people I want to give a shoutout to. So many people have influenced me and pushed me in this direction, allowing me to live from my passion: My peers from Supinfocom. We spent countless nights learning together, pushing each other to improve, and creating an environment where competition meant growing together rather than against each other.
Some 3d artists I was following back then like Dstrukt, the directors duo “Us”.
The studios who helped me grow, like Electric Theater Collective. But ManvsMachine deserves special recognition. They’ve consistently trusted me with challenging projects and given me the freedom to experiment and grow.
Finally, I have to acknowledge the younger artists I work with today. Their fresh perspectives and endless curiosity keep me motivated to stay current and push boundaries. In this industry, you’re only as good as the people you surround yourself with, and I’ve been fortunate to work alongside some of the best throughout my journey.”

Website: https://www.remidessinges.com/

Linkedin: https://www.linkedin.com/in/remi-dessinges-1844925/

Image Credits
Remi Dessinges
Manvsmachine