Meet Nicole Sciberras Debono | Visual Artist

We had the good fortune of connecting with Nicole Sciberras Debono and we’ve shared our conversation below.

Hi Nicole, we’d love to hear about how you approach risk and risk-taking
Art has always been a part of my life, painting was the medium through which I could communicate most effectively. But taking risks can sometimes be a luxury for the privileged. There’s no point in shying away from the fact that pursuing a creative endevour such as painting involves a high amount of risk (among other things), especially if there are several other obstacles in your way or elements that can determine variables: such as where you were born, how you’ve been brought up, who your parents or friends are. Such is life. The stakes are higher when your luck is lower. But I’d like to think that however lucky you were born and the risks you are willing to take, your fate is in your hands. I don’t think many afford to think any other way.

I feel that risk has played a big part in my life, and the older I get the more I feel I can trust my gut. Taking a risk does not mean being reckless, any risk to be taken must be a calculated one. And being adaptable is pivotal.

Until 2020, I was pursuing an entirely different career, not even remotely related to the arts. I studied law at university, passed the bar and everything. Despite committing to such a time-consuming choice (law school is around 6 years of your life you’ll never get back), even when I enrolled I knew it wasn’t the path that would make me most fulfilled. I also felt there was a glass ceiling and that the ‘security’ I thought I worked for was within reach but it wasn’t ever close, nor ever worthwhile.

I think my generation focuses more on pursuing happiness in success. I was always discouraged to paint or create – growing up in Malta in the early 2000s to two blue-collar Gen X-ers, the mantra was to work towards security. Happiness wasn’t in the equation. I suppose there is some truth to it, I do not regret going to law school or working as an attorney, it gave me the skills that would be essential to being a working artist as I am presently.

I hadn’t completely neglected my creative side throughout these years I wasn’t a practising artist, but it was only after I decided to put my legal career behind me that I was treating my career as a professional painter more seriously. The beginning was tough and intimidating; talking about it with friends or family, you can hear the concern in their voice. You don’t really know where to start as long as you start somewhere. You have to work hard, really hard. Put yourself out there, meet people who can help you get there, and keep learning.

I faced the risk of financial instability, a lack of recognition, and the challenges of establishing myself as an artist. I still experience such risks every single day: I don’t know whether my work will be received and perceived as ‘good’, whatever that means, and it can be frightening.

However, my passion for painting fuelled my determination to succeed. Throughout my journey, I’ve learned that risk-taking is not about reckless abandon but rather about calculated decisions guided by careful consideration and a deep understanding of the potential consequences. I’ve discovered that the rewards of following my passion far outweigh the risks involved. Since then, I’m grateful to say I’ve taken part in several exhibitions worldwide, made meaningful connections with wonderful people in the industry, and feel part of the artistic community.

Alright, so let’s move onto what keeps you busy professionally?
My work revolves around my lived experiences, whether it is the news, the people in my life, my surroundings, and the political and economic climate I find myself in. Summarily, it’s about the lure and repulsion of contemporary living. I also find inspiration in the minute moments of our lives and attempt to bring them forward to the viewer in an abstruse and curious manner. The imagery I generate is inspired by life or memory, and I am fascinated by people and everyday objects that show they are a product of their time (such as technological devices), and the atmosphere their presence or absence can create. However, my paintings are not about depicting a figure or object in space and time. My pieces are a visual articulation of my bond with the subject, a testament to how I wish to convey its essence to those who engage with my work. My exploration encompasses contemporary narratives, delving into the multifaceted nature of our existence in an era defined by our online presence, where multiple versions of ourselves coexist in a single moment.

The Shoutout series is all about recognizing that our success and where we are in life is at least somewhat thanks to the efforts, support, mentorship, love and encouragement of others. So is there someone that you want to dedicate your shoutout to?
I do believe that personal and professional success is a collaborative effort, and I am immensely grateful to the individuals and entities that have played pivotal roles in my journey. It truly takes a village, and I’ve been fortunate to have a supportive community that has significantly shaped my path.

First and foremost, I owe a debt of gratitude to any teachers and mentors who have generously shared their wisdom and guidance. Nicolas Uribe and Ruprecht von Kaufmann, to name two, both accomplished practising artists, have been instrumental in shaping my artistic vision. Their insights, critiques, and encouragement have been invaluable, providing me with a solid foundation to navigate the complex world of art.

In addition to individual mentorship, the support of organisations like the Malta Arts Council has been a game-changer. Their funding for numerous projects and programs has not only provided financial assistance but has also served as a vote of confidence in my artistic endeavours. Their commitment to fostering the arts is commendable, and I am thankful for the opportunities they have made possible.

Collaborating with brilliant curators has been another enriching aspect of my journey. Melanie Erixon stands out as a curator who not only appreciates my work but also provided me with a significant platform. Her decision to scout me for my first solo exhibition at her gallery in August 2022 marked a pivotal moment in my career. I am indebted to her for believing in my art and giving me the opportunity to showcase it to a wider audience.

Being part of the collective of painters called ‘Cane Yo’ has been an inspiring and enriching experience. I would consider these artists my peers, and they’re a pillar for me. This collective has provided a space for meaningful discussions about painting, the world, and everything in between. The camaraderie and shared passion within the group have been a constant source of motivation and inspiration, reminding me that the artistic journey is not a solitary one.

Website: www.nicsdebono.com

Instagram: www.instagram.com/nicsdebono

Facebook: https://www.facebook.com/nicsdebono