We had the good fortune of connecting with David Mukka and we’ve shared our conversation below.

Hi David, we’d love to hear about how you approach risk and risk-taking.
I’ve learned to think of risk as part of the job. Experiencing early success as a teenager taught me to stop chasing validation or commercial outcomes and focus instead on the process of creating. Once I did, things started to open up.

I’ve always believed in believing first and seeing later. That mindset pushed me from music into filmmaking about seven years ago, and it’s shaped how I approach everything since.

Most of the risks I take come down to trusting my instincts, aiming a little past what feels reasonable, and figuring it out along the way. In this industry, that’s not optional, it’s how anything original gets made.

Alright, so let’s move onto what keeps you busy professionally?
My work is grounded in performance and collaboration. I’ve been fortunate to be part of projects like the limited series Black Ops: The End of the World, the sitcom Prespav, and films including The Business of Pleasure, Tomorrow Morning, and Ingrid and I, each pushing me to grow as an actor. It hasn’t been an easy path, but every project puts you back in a beginner’s mindset, and that’s where growth happens.

What sets me apart is how I show up.
Talent matters, but so do reliability, adaptability, and trust when you’re building something meaningful with others.

Alongside film, music and television, I’ve also collaborated with the space and tech worlds, including hosting events with my partners at NASA Ames and staying connected to the Silicon Valley tech community. That discipline ultimately feeds back into my work as an actor – showing up prepared, focused, and committed to the stories we help take shape.

Let’s say your best friend was visiting the area and you wanted to show them the best time ever. Where would you take them? Give us a little itinerary – say it was a week long trip, where would you eat, drink, visit, hang out, etc.
If my best friend were visiting, I’d base the week in Los Angeles, because it’s the easiest place to show how film, play, and people all collide.
Mornings would be slow: long coffee breaks in Silver Lake, conversations that drift into ideas. Afternoons mean Venice Beach for people-watching or studio lots and screenings. Nights are for D&D sessions with friends, film discussions, or catching a game or genre convention when one’s in town.

I’d probably sneak in a short escape too, either up to Silicon Valley, which for me is the perfect place to work and grow ideas. It feels like the whole area is vibrating with originality. I love the museums, the tech, Japanese BBQ, concerts in San Francisco, and long walks, or out toward Arizona or Nevada for wide-open desert scenery and a mental reset.

If there’s time to cross the ocean, Europe is always fun, Scandinavia, the Slavic countries, Berlin for its creative energy, then somewhere coastal like Barcelona or Dubrovnik, where conversations last longer than the plans.

For me, the best trips are about rhythm: storytelling, curiosity, play, and leaving just enough room for the unexpected.

Who else deserves some credit and recognition?
I’ve never seen this as a solo journey. A lot of my growth as an actor has come from people and creative ecosystems that trusted me with stories and performances early on. I want to shout out the production families on both sides of the Atlantic: Artistic Film Productions, V House Animation, Sektor Film Productions, MVP Media in central California, and in Los Angeles, Urban Tales Productions, for believing in bold ideas and showing up when it matters.

I’m also grateful to collaborators who’ve helped sharpen the work behind the scenes: Hollywood-based casting agent and producer Gabrielle Almagor; the team at The Professional Pen; screenwriter and development consultant Shannan E. Johnson; my writing and development partner Gregory Harbert; and UK screenwriter Hannah Cleal-Jones, alongside film critic and screenplay consultant Charlie from Random Film Talk.

Most of all, I want to thank the directors, fellow actors, and crews I’ve had the privilege to work with, and the audiences who keep showing up, putting their phones down, and choosing to experience these stories. That’s why we make movies. That’s the whole point.

Website: https://www.davidmukka.com

Instagram: https://www.instagram.com/davidmukka_/

Linkedin: https://www.linkedin.com/in/davidmukka/

Other: https://www.imdb.com/name/nm14629506/

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