Meet Patia Prouty: Director

We had the good fortune of connecting with Patia Prouty and we’ve shared our conversation below.
Hi Patia, we’d love to hear about how you approach risk and risk-taking
I have probably grown the most through my epic failures. I think some people approach risk by weighing the cost of the negative outcomes without giving equal weight to the positives. Just as many things can go right as can go wrong. The nature of risk is that it’s an unknown variable and can change at anytime. I try to follow my instincts. Once I make the decision to take the risk, I don’t look back, I focus on moving forward toward my goal. Keep your eye on the prize.
Can you open up a bit about your work and career? We’re big fans and we’d love for our community to learn more about your work.
I am a female director and I like to use genres traditionally considered “masculine” like Action, Sci-Fi and Technology to tell “feminine” stories about strong female characters set against the backdrop of tough, gritty worlds. During the pandemic, I wanted something positive to do with my time, I wrote and developed a Sci-Fi series about transhumanism and what it means to be human. I am incredibly proud and excited about this project.
Any places to eat or things to do that you can share with our readers? If they have a friend visiting town, what are some spots they could take them to?
I live in the hills and love the walk from The Trails cafe to the Griffith observatory and after lunch outside at Little Dom’s in Los Feliz.
Shoutout is all about shouting out others who you feel deserve additional recognition and exposure. Who would you like to shoutout?
Chris Billig at Scatterlight Studios is a tremendously talented friend and has gone out of his way to support my transition into writing and directing.
Website: www.patiaprouty.com/
Instagram: @ladydirector
Linkedin: Patia Prouty
Facebook: Patia Prouty
Image Credits
first image (hat and sunglasses) Carol Prouty
The two of me in the woods and looking over my shoulder are unknown.
Someone took them on set but not the set photographer. The slate and the reflection of me in the driving shots were both taken by me